Whether shedding a tear or sobs, A Weeping Woman is not an easy sight to behold. With the crying comes the realization that this thing, which the woman tried to contain, is broken. From the beginning it was gentle, and from the beginning they expected her to contain it with forces that need to be mustered and that was destined to break. A porcelain woman is mass produced. The mold is the same and the sculptures come out the same, but the final touch is done by a human hand with a brush. The hand must quickly draw on a moving tape thousands of black dots that will be the eyes, thousands of red lines that will be the lips and thousands of pink spots that will be the blush on the cheeks. And so it happens, that every porcelain woman comes out a little different. One with lipstick sticking out of her lips, another with blush kissing her nose, one with her eyes looking up and another staring straight ahead. In the painting "Weeping Sisters" the figures look as if they were all cast into one mold. A block of porcelain that only the painting afterward made it possible to separate into three. The inaccuracies of mass production made one long hand look like it had a palm on both ends, like a double-edged sword, only instead of blades - clasped hands. As hard as it is to observe weeping, it is just as easy to join in. And really maybe, these paintings don't need a casual look, and therefore they don't devote themselves to it completely. The blurring helps us to see the painting through an imaginary layer of tears in the corner of the eye, as partners in sorrow. The spray repels the gaze that tends to seek focus and leaves the tear as the only fulcrum. The paintings presented in the exhibition were made with an airbrush: thin paint pushed by air pressure and sprayed onto the canvas. This series is endowed with a special quality - it seems that the splashed paint collected the air through which it passed on the canvas, and thus the paintings are filled with it, with air, no less than with paint. Before we call the form we are looking at by name, if we could generally forget the names of things, we will look at the painting and see that it itself floats, airy, transparent.